數位輸出的種類、劣化現象,以及保存須知

Types of digital output, degradation phenomena, and storage instructions

Article updated on 2025/1/5
(Taiwan’s temperature and humidity statistics have been updated on 2021/1/17)

What is digital output/printing?

Definition of Digital Output/Digital Printing

Digital output is a broad concept that covers methods of printing directly from digital files onto various substrates. Specifically, digital output refers to the process of converting digitally processed images and data into physical objects through various output devices, such as printers. This allows digital images to be presented in the form of physical photographs, posters, canvases, etc.

Digital printing usually refers to professional printing. Compared with traditional printing, its main advantage is that it does not require plate making, thus saving time and cost, and is suitable for relatively small amounts of printing needs. Printers can range from large or high-volume laser or inkjet printers to small office desktop laser or inkjet printers. Therefore, the application range of digital output is very wide, which will be briefly introduced below.

The development and application of digital output/digital printing

The development of digital output can be traced back to the middle of the 20th century. With the advancement of computer technology, digital image processing technology has gradually matured. Early digital output devices were expensive and rare, but as technology advanced, the price of these devices gradually decreased and the output effects continued to improve. After 2000, further development of hardware has led to the digitalization of most image processing. Today, digital output technology has been widely used in various fields and has become one of the most diverse and affordable output methods.

Digital output has long been widely used in our work and life, including:

  • Everyday Printing: Low-cost home and office printing
  • Office stationery: including business cards and letter paper
  • Customized printing: photo books or small quantities of customized books
  • Art creation: art giclee printing and photo paper printing
  • Advertising production: large outdoor advertising and event signs
  • Photo output: digital photo output and printing
  • Architectural design: wall hangings and floor patterns

Reference: Wiki Digital Image Processing

As a professional digital image output and printing manufacturer, we continue to research and organize relevant information on high-end digital image output. Therefore, what we will discuss in this article will be the digital image and photo paper output related to the above-mentioned "artistic creation" and "photo output".

Types of digital image output

There are three main ways to output digital images:

1. Inkjet Prints

Inkjet output uses nozzles to deposit ink onto paper or other substrates. The printer's nozzle does not directly contact the paper, but instead prints ink onto the paper through the air. Therefore, the size of the ink dots, the distance between the nozzle and the paper, and the accuracy of the ink dot printing will affect the final quality of the inkjet output.

How inkjet output works:

  1. Computer control : The computer breaks down the digital image into millions of tiny dots and accurately calculates the ink color and position required for each dot.
  2. Inkjet : The printer's nozzle sprays tiny particles of ink onto the material. The size, quantity and position of ink drops are all controlled by computer
  3. Multiple materials : Inkjet output can be used on a variety of materials such as paper, plastic, cloth, etc.

This technology is currently widely used in professional printing equipment. If you are interested in learning more about digital printing, please visit the following topics:

Inkjet output printing can be divided into two types -

A. Continuous Inkjet
It was first used in image printing. It continuously sprays charged ink and uses a computer system to control which ink droplets will be printed on paper, while the rest will be recycled. This technology was once used mainly for commercial printing, but is now used less for small quantities of customized image output and more for large-scale production, competing with lithography.

B., Drop-on-Demand Inkjet
Ink drops are ejected only when needed, with no deflection or recovery systems required. This technology is divided into two types:

  • Thermal Inkjet : uses a heating element to vaporize ink to form bubbles and push ink droplets out of the nozzle
  • Piezo Inkjet : Uses ceramic piezoelectric sheets to bend and squeeze ink to push ink droplets out of the nozzle

There are three main types of inks for inkjet printing: aqueous, solvent, and UV-curable.

High-quality digital image output usually uses water-based inks, while solvent-based and UV inks are only used in the production of large commercial image outputs and large quantities of posters and billboards. Therefore, we will not discuss or explain them here.

Aqueous inks are divided into two types: dyes and pigments:

Dye ink

  • Dyes are organic compounds that are soluble in water
  • Dye technology continues to improve, and the lifespan of many dyes is significantly longer than in the past
  • Some dye inkjet printers specifically use black pigment ink in an attempt to increase the durability of documents.

Pigment ink

  • It may be inorganic, organic, or a mixture of both.
  • Pigment inks are more resistant to the environment but are more easily damaged during handling

Art giclee print is a high-quality digital inkjet output of images . We have a dedicated article discussing art giclee print, so we won’t list the details here. If you are interested in learning more about the details of “ art giclee print ”, please refer to the following article!

Read the article "A Comprehensive Analysis of Art Giclee"

There are many types and details of digital output

There are many paper materials to choose from for art giclée, such as Epson, Canson, Moab

2. Laser Printing

  • Laser output printing is based on electrostatic photography, which was first invented by Chester Carlson in 1938.
  • Digitalization began in 1969 when Xerox created the first laser printer using a computer-driven laser to expose the photosensitive drum of a photocopier.
  • IBM was the first to commercialize laser printers in 1976

How laser output printing works :

  • Laser printing uses toner to form an image and heat to fuse the toner to the substrate.
  • Digital laser printers use similar technology to analog photocopiers, with the main difference being the way the photosensitive drum is exposed. Laser printers use a computer-controlled laser to scan a photosensitive drum, while photocopiers use light reflected from a
  • Color laser printers use four toners: cyan, magenta, yellow, and black , which are transferred separately to produce full-color images.

If you are interested in learning more about laser output printing, please expand the following topics:

Materials <br/>Laser printing uses toner to form images. Toner comes in two main forms: dry and liquid:

  • Dry Toner : It is composed of pigments gathered in polymer particles and fused to the surface of paper through heating.
  • Liquid Toner : Pigments are dispersed in volatile oils, which evaporate during the blending process

Toner stability

  • Black toner : High stability
  • Color toner : Stability varies by manufacturer

Paper <br/>The paper used for laser printing can be divided into two types: uncoated paper and coated paper:

  • Uncoated Paper : Generally used for desktop or office printers, often called plain paper, office paper or copy paper
  • Coated Paper : The surface is coated with a mineral layer to increase the density, opacity and surface smoothness of the paper. Coated paper is commonly found in magazines, brochures, posters, etc.

In summary, image-related laser printing technology has also been applied to large-scale digital printing machines. These devices can perform single or large-scale printing, and each printed product can be unique, that is, it can be customized for single printing, and does not require a certain quantity to be printed.

This makes laser printing competitive in customized products such as photos and personal albums.

3. Dye Sublimation Prints

Dye-sublimation printing is a digital printing technology that uses heat to transfer dye from a ribbon to the print paper. This printing technology can be traced back to 1957. It was not until 1986 that thermal sublimation technology really entered the commercial market and began to be widely used in image output.

How does thermal sublimation output work?

  1. Pigment transfer : In thermal sublimation printing, the printer uses a ribbon coated with solid dyes, usually cyan, magenta and yellow.
  2. Thermal Control : The printer uses heat to transfer these dyes from the ribbon to a special paper surface. The temperature and time of heating will affect the concentration of the pigment, allowing each color to be accurately superimposed to present a complete and colorful image.
  3. Receiving layer : The surface of the sublimation paper has a polyester coating, which can effectively absorb the vaporized dye from the ribbon.
  4. Protective coating : After printing, a layer of transparent protective coating will be added to prevent damage caused by moisture and air pollution.

Current status of photo printing/output in Taiwan

In order to help everyone better understand the classification of photos in their hands or at home, and thus master the best preservation methods, we have conducted some research on the current status of photo printing in Taiwan.

Photo studio/traditional photo studio: traditional photos

Most photo labs, whether in-store or online, don't list the models they use, so it's not easy to get direct information.

However, we infer that most quick-printing shops and traditional photo studios in Taiwan still use traditional photo production technology to develop photos, such as 4x6, 5x7, 8x10 inches, that is, traditional printing technology that uses chemical agents for development and fixing.

We infer this because most photo labs use the following papers, which are suitable for traditional photo printing techniques:

Traditional photo printing

  • Kodak Professional Endura Premier Paper
  • Kodak Royal Digital Paper
  • Fujicolor Crystal Archive Paper Type II

Therefore, we can infer and understand the photo printing methods of these photo printing shops and photo studios through photo paper!

Convenience store instant printing: Laser photos

As for the instant photo printing services provided by convenience stores, the most convenient services include:

The official websites of these two companies do not clearly state the printing technology used, so we cannot be sure. However, generally speaking, commercial self-service printing devices mostly use laser printing technology because it is faster and more suitable for large-scale printing needs. Therefore, we infer that they may use laser printing technology and provide it for your reference!

Professional digital output: inkjet output

The art microspray used by photographers, artists, and graphic creators are all inkjet output.

The inkjet output method includes different details, among which microjet is a high-quality digital inkjet output of images . We have a special article discussing "Giclee Art". If you are interested in learning more about " Giclee Art ", please refer to the following article.

Read the article "A Comprehensive Analysis of Art Giclee"

Deterioration of digital photos

Regardless of the type of photo, over time, it will deteriorate in different ways due to environmental factors, including temperature, humidity, and air pollutants, including the following:

  • Yellowing: The yellowing of paper or images over time
  • Cracking: Cracks or breaks appear on the surface of a material
  • Delamination: Separation of different layers of material
  • Bleed: Ink spreads from the intended area, causing blurred edges
  • Blocking: Prints or images stick together in high temperature or high humidity environments
  • Ferrotyping: The printed surface becomes shiny or has glossy spots.
  • Mold: mold grows on the surface of the material due to moisture
  • Fading: The color becomes lighter or disappears over time

We will explain the degradation examples provided by IPI Image Research Institute one by one.

Here are the original photos for comparison...

  • Yellowing : Paper or images turn yellow over time, affecting the appearance and texture
  • Cracking : Small cracks or breaks appear on the surface of the material
  • Fading : The color gradually fades and loses its original color vividness

yellowed photo

White or light-colored paper turns yellow over time, affecting the appearance of your work

Photo link

cracked photos

Small cracks or breaks appear on the surface of the material

Photo link

faded photo

The color gradually fades and loses its original color vividness

Photo link

The degradation examples to be described next are still provided by the IPI Imaging Research Institute, which also allows us to more clearly understand the degradation caused by different situations.

The original photo vs the damaged photo is more obvious in comparison...

Original photo (link)

  • Delamination : Separation of different layers of paper or material
  • Ferrotyping : The image surface becomes unevenly bright or has glossy spots.

layered photos

Separation of different layers of paper or material

picture link

Pristine inkjet output, on glossy photo paper

Original image link

Deterioration in brightness of high-gloss photo paper

The image surface becomes unevenly shiny or glossy spots appear

picture link

The degradation examples listed here are still provided by IPI Image Research Institute, and I believe they can help us better understand different types of degradation scenarios.

Here are the original photos for comparison...

Original photo (link)

  • Bleed : Ink spreads into areas where it shouldn’t be colored, causing blurred edges

Finally, the following two conditions of photo deterioration, such as two pieces of paper sticking together, or mold on the surface of paper, are phenomena we encounter in our daily lives and are not difficult to imagine and understand.

Therefore we no longer list reference photos:

  • Blocking : Prints or photos stick together in high temperature or high humidity environments
  • Mold : Mold grows on the surface of materials in a humid environment

Photos with ink bleeding

picture link

ink bleed

As the ink bleeds, the magenta dye moves away from its original location. The top line was exposed to high humidity, while the bottom line was not

picture link

溫度與濕度會造成不同種類的的損害

經過上面的文章,我們已經很清楚,起因於環境中的溫度、濕度,以及空氣污染,將引起以下幾種損害情況:

  • 泛黃(Yellowing):紙張或影像隨時間變黃
  • 開裂(Cracking):材料表面出現裂紋或破裂
  • 分層(Delamination):材料的不同層次分離
  • 墨水滲出(Bleed):墨水從預定區域擴散,導致邊緣模糊
  • 黏住(Blocking):印刷品或圖像在高溫或高濕環境下黏在一起
  • 亮度劣化(Ferrotyping):印刷品表面變得光亮或出現光澤斑點
  • 發霉(Mold):材料表面因潮濕而長出霉菌
  • 褪色(Fading):顏色隨時間變淡或消失
如果我們進一步研究,溫度、濕度和空氣污染這些不同的環境因素,對照片的損害其實還不盡相同呢!

溫度 heat
濕度 humidity
空氣污染 pollution
泛黃 Yellowing
開裂 Cracking
分層 Delamination
墨水滲出 Bleed
黏住 Blocking
亮度劣化 Ferrotyping
發霉 Mold
褪色 Fading
泛黃 Yellowing
開裂 Cracking
分層 Delamination
墨水滲出 Bleed

研究顯示,溫度和濕度是影響數位輸出作品壽命的兩個關鍵因素。如果環境中的溫度或濕度劇烈變化,可能會加速影像的老化,甚至導致本來可以避免的損壞。

值得注意的是,不同材質、墨水和印刷設備的組合,都會影響輸出作品的保存狀態。舉例來說,同一幅影像,使用不同品牌的相紙、不同種類的紙材,甚至不同的墨水與輸出機,最終的保存效果可能有天壤之別。因此,建議定期檢查每件作品的保存狀態,而不是用同一標準來判斷所有的輸出作品。



不同溫度對數位輸出照片保存的影響

無論是傳統照片還是數位輸出照片,理想的儲存濕度應保持在相對濕度30%-55%之間。這個範圍有助於減少材料劣化、避免黴菌滋生,同時也能維持影像顏色的穩定性。

在這個建議的濕度範圍內,不同類型的照片在不同溫度條件下保存,耐久度也會有所不同。以下將說明各種溫度環境下,對傳統照片與數位輸出作品保存品質的影響與評估。

儲存條件
攝氏溫度
傳統照片
黑白
傳統照片
彩色
數位影像
噴墨輸出
數位影像
熱昇華輸出
數位影像
雷射輸出
室內溫度 20°C
尚可
不好
不好
涼爽溫度 12°C
不好
尚可
很好
很好
冷藏溫度 4°C
很好
很好
很好
零下溫度 < 0°C
很好
很好
很好
很好
很好
上述的保存品質的評估級別,分別代表下列意義:

品質評等 狀態評估
不好
可能造成重大損害
尚可 不符合建議,但長期來說可能會符合要求的
符合最低建議
很好 超出最低建議

關於不同溫度級別的進一步說明:
  • 雖然我們將保存環境分為四個溫度範疇來分類,但溫度對紙張照片劣化速度的影響其實是連續性的——溫度越高,老化速度越快;溫度越低,老化過程越慢
  • 在實務操作中,保存環境的平均溫度會被歸類到最接近的溫度範疇。例如,如果實際保存溫度為 10°C,則該環境可視為涼爽級別(12°C)。
  • 如果實際溫度正好介於兩個溫度範疇之間,應同時考量較涼的溫度效果和較暖的溫度風險,以便做出更全面的保存評估。
  • 此外,任何平均溫度等於或低於0°C 的環境,應統一視為零下保存環境,這類條件通常能大幅減緩影像劣化的速度。

整體而言,低溫保存是一個很有效的方法,可以顯著減緩老化過程,讓紙張照片保存得更久。

總之,了解你的數位輸出照片所使用的材質與保存條件,並適時檢查與調整環境因素,是確保照片長久保存的最佳方式。

極端濕度對數位噴墨輸出的影響

濕度對數位輸出照片的保存影響極大,過高或過低的濕度都應避免,以確保照片的品質與壽命。

高濕度的影響

  • 高濕度環境容易導致材料結塊、表面亮度劣化,甚至發霉
  • 噴墨輸出的染料墨水在高濕度環境下容易發生墨水滲出,造成影像模糊和色邊現象
  • 根據觀察,在25°C下,當相對濕度低於65%時,數位噴墨照片是安全的,不會出現墨水滲出的情況
  • 然而,當濕度超過65%時,數位噴墨照片滲色現象開始明顯,且隨著濕度增加,滲色時間急劇縮短
  • 在相對濕度達到80%或更高時,數位噴墨照片可能在不到24小時內出現嚴重的墨水滲出與影像劣化

因此,應避免將數位噴墨照片存放於高濕度環境,特別是80%以上的濕度範圍。

低濕度的影響

  • 雖然台灣較少出現極端低濕度的環境,但相對濕度低於25%時,材料容易變得脆弱,導致開裂和操作困難。

建議的濕度範圍

  • 儲存環境的相對濕度應維持在25%至65%之間,理想範圍為30%至55%

總結來說,保持適當的濕度範圍,避免極端高濕或低濕環境,是確保數位噴墨輸出長期穩定保存的關鍵。

照片的理想保存條件

IPI 研究室 針對傳統及數位輸出照片等多種型態的照片,建議下面不同溫度及濕度的保存條件:
影像輸出種類
最高溫度
相對濕度 (RH) 範圍
熱昇華輸出
20°C (68°F)
30-50%
雷射輸出
20°C (68°F)
30-50%
噴墨輸出 (包含染料及顏料墨水)
4°C (40°F)
30-50%
彩色傳統照片
4°C (40°F)
30-50%
黑白傳統照片
12°C (54°F)
30-50%

值得注意的是,無論是傳統還是數位輸出照片,都應該保存在相對濕度30到50% 的環境中,室內溫度不宜超過20°C。

台灣氣候特性與數位輸出照片的保存挑戰

這一小段,我們將討論在台灣保存照片所面臨的挑戰!

首先,我們找出過去30年 (1991-2020) 間,台灣氣候的官方統計資料:
中央氣象局氣象統計數據1991-2020期間,30年氣溫及相對濕度平均值 (每10年更新一次,下次更新日期為2031年1月底)


1991 - 2020
平均氣溫
每年氣溫
≥25℃的天數
每年最高氣溫
≥30℃的天數
相對濕度
台北 23.5°C
151.1天
135.7天
74.8%
花蓮 23.7°C
160.0天
123.5天
77.3%
宜蘭 22.8°C
145.3天
122.4天
80.7%
高雄 25.4°C
223.8天
173.7天
75.0%
臺中 23.7°C
179.6天
170.9天
74.5%

根據以上研究,我們再次列得出以下結論:

  • 無論是傳統還是數位輸出照片,室內溫度都不宜超過20°C
  • 噴墨輸出及傳統彩色照片甚至需要在冷藏溫度(約4°C)的儲存環境,才能減少對作品的損害
  • 無論是傳統還是數位輸出照片,相對濕度應維持在30-50%之間,才能確保作品穩定保存

根據台灣的氣候統計資料,我們可以得出以下結論:

  • 台灣的氣候條件不利於長期保存紙張照片,無論是哪種輸出形式,尤其對噴墨輸出及傳統彩色照片的保存更為不利
  • 若要在台灣創造適合保存影像作品的環境,必須長期依賴空調系統嚴格控制溫度與濕度,這通常需要美術館、博物館資料館等級的設備與管理才能達成


p.s. 要判斷我們的環境是否適合保存數位輸出作品,可以先思考以下兩個問題:
  1. 目前的儲存條件是否適合數位輸出作品?
  2. 如果環境不適合,哪種儲存條件才是最佳選擇?


Ideal storage conditions and suggestions for photos in Taiwan

Under Taiwan's humid and changeable climate conditions, the preservation of digital output works faces great challenges. If the temperature , humidity and air quality can be effectively controlled, the deterioration rate of the work can be significantly reduced and the shelf life can be extended. The following are preservation suggestions tailored specifically for Taiwan's environment:

📌 Summary and suggestions

  • In Taiwan, ideal storage conditions are: a stable temperature of 18°C ​​to 21°C , a relative humidity of 30% to 50% , good air circulation and avoid direct sunlight.
  • If conditions permit, it is recommended to use constant temperature and humidity equipment to maintain a stable storage environment
  • Check the storage environment regularly and adjust the equipment settings according to seasonal changes to ensure that paper photos can maintain the best condition for a long time.

Under Taiwan's climatic conditions, a good preservation environment is not easy to achieve, but as long as each key factor is carefully controlled, paper photos can still remain bright and complete over time.

Here are our detailed instructions!

📌 Temperature Control

  • Ideal temperature : Maintain between 18°C ​​and 21°C
  • Stability : Avoid drastic temperature changes, as frequent temperature changes can cause paper to shrink or expand , and in severe cases even cause surface cracks.
  • Practical tips : Use air conditioning to maintain a stable indoor temperature and avoid placing your work near cooling or heating vents

📌 Humidity Control

  • Ideal humidity : Relative humidity (RH) should be maintained between 30% and 50%
  • High humidity risk : High humidity can cause paper to warp , ink to smudge , and even mold to form.
  • Low humidity risk : Low humidity can make paper brittle and even cause static electricity problems
  • Practical advice : Use a dehumidifier to control humidity, especially important during the rainy season and in humid island climates

📌 Air quality

  • Pollutants and dust in the air may accelerate material aging and even cause mold growth
  • Practical advice : Keep indoor air flowing and use air purifiers to filter out suspended particles and pollutants

📌 Avoid direct sunlight

  • Ultraviolet light is one of the main reasons for color fading . If exposed to sunlight or strong light for a long time, the color of the image will fade quickly.
  • Practical advice : Place the artwork in a cool place or use UV-resistant transparent glass or acrylic to provide additional protection.

New proposal: ChromaLuxe Metallic Photo

If you read the above, you may feel a little frustrated because:

  • Ideal storage conditions are difficult to achieve <br/>Maintaining stable temperature, humidity and light control is not easy in daily life and often requires specific equipment and environment
  • Storage conditions are at odds with living environment <br/>The comfortable temperature and humidity we need in our daily lives are often inconsistent with the ideal photo storage environment, making it difficult to strike a balance
  • Even with the best efforts, photos may deteriorate <br/>Even with the best efforts to control the environment, paper photos may yellow, crack, or fade over time

Well, we welcome you to explore the new photo medium "metal photos", because we believe that metal photos are a good solution!

  • Bright colors, fine texture, excellent durability
  • Can be easily integrated into the home or office space without excessive maintenance
  • Become a permanent visual focus in the living space

We have listed a comparison table of the "characteristics" of the two printing media: digital output and Vision Image's "Metallic Photos". Welcome to learn about ChromaLuxe Metallic Photos.

特性
數位噴墨輸出
藝術微噴
金屬照片
基材 相紙紙張
如EPSON, ILFORD等
ChromaLuxe 金屬鋁板
製程原理 數位輸出
墨水停留在紙張表層
數位輸出+熱壓轉印技術,製程繁複
完成後墨水融入表面特殊塗層
典藏等級 典藏等級
典藏等級
解析度 高解析度,影像銳利 中等解析度,自然呈現
保存條件 最佳:保持在4℃/相對溼度50%以下
(不適合台灣高溫潮濕環境)
不需要特定保存條件
(合適台灣環境,即使浴室及廚房也OK)
防水性 不防水、不耐潮
(紙張有毛細孔,水氣會滲入紙張)
防水、防潮濕
(表面塗層沒有毛細孔,水氣無法滲入)
抗褪色性 不耐褪色
(紙張有毛細孔,會接收空氣污染源)
可抗褪色

(表面塗層沒有毛細孔,杜絕空氣污染源)
抗刮傷性 不耐刮
(紙張不耐刮,尤其黑色墨水易磨損)
防刮傷
(表面塗層為硬質材質,平滑無毛細孔)
耐污染性 不防化學藥劑不耐污染
(紙張有毛細孔,會接收化學藥劑)
抗化學藥劑、耐污染
(表面塗層無毛細孔,化學藥劑無法滲入)
可清潔性 無法清潔擦拭 容易日常清潔
(可使用清水或潔用酒精輕拭表面清潔保養)

Further reading: IPI (Image Permanence Institute) Introduction

The IPI Imaging Institute is a non-profit research laboratory located within the university, dedicated to scientific research on the preservation of visual and other documentary forms. It is the largest independent laboratory on this topic in the world. IPI was founded in 1985 as a joint effort and sponsorship between Rochester Institute of Technology (RIT) and the Society for Imaging Science and Technology. Funding for IPI's preservation research and outreach efforts comes primarily from the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Andrew W. Mellon Foundation, as well as generous contributions from corporate supporters. IPI provides information, consulting services, practical tools and preservation techniques to libraries, archives and museums around the world. The imaging and consumer protection industries also use IPI's consulting, testing and educational services.

  • Areas of research and expertise: Photographic output and the nature of printed media
  • Provide professional information and technical support for the preservation of archives and photographic outputs
  • Sustainable practices in environmental management and conservation
  • Image and information media, as well as the stability of digital output preservation
  • Developing ISO standards for imaging media and preservation

For more information about IPI, please refer to IPI Wiki or IPI official website.

Website link: IPI Wiki | IPI official website

References and recommended links

Q13: What are the temperature and humidity regulations for archive warehouses?
Article link: https://www.archives.gov.tw/wSite/public/Attachment/0/f1715584304365.pdf

IPI's Guide to: Preservation of Digitally-Printed Images
Article link: https://s3.cad.rit.edu/ipi-assets/publications/dp3_guide.pdf

IPI Guide to Preservation of Digitally-Printed Photographs
Article link: http://www.dp3project.org/webfm_send/739

Inkjet
Article link: http://dp3project.org/technologies/digital-printing/inkjet

Storage Recommendations
Article link: http://dp3project.org/preservation/storage-recommendations

The author of this article, Weisi Image

Weisi Imaging was established in 2016 and specializes in ChromaLuxe metal photo production.

The person in charge of Weisi Imaging studied photography in Vancouver, Canada from 2011 to 2014. He was an artist-in-residence and also held photography solo exhibitions. Because I was amazed by the visual effects of ChromaLuxe metal prints, I decided to focus on the research and production of metal photos.

Weiss Imaging not only prints high-quality metal photos, but is also the first printing center in Taiwan to assist artists in producing metal photos. Many of the artist's works have been collected by Taiwan's Art Bank.