吳政璋《台灣「美景」-田園風光》 X 《炫采金屬印像》

Wu Zhengzhang "Taiwan's "Beauty"-Pastoral Scenery"

ChromaLuxe Metal Print Exhibition Sharing🤩

✨Wu Zhengzhang’s solo exhibition [Taiwan’s “Beauty” - Pastoral Scenery | vision of TAIWAN -paddy scenes]

🔸Exhibition date: 2023/11/4 (Saturday)-2023/11/22 (Wednesday)
🔸Exhibition location: Dadun Gallery (7), Dadun Cultural Center, Taichung City (No. 600, Yingcai Road, West District, Taichung City)
🔸Opening hours: 9:00~21:00 Closed on Mondays
🔸Exhibition information: Wu Zhengzhang's solo exhibition [Taiwan's "Beauty" - Pastoral Scenery | vision of TAIWAN -paddy scenes]

During the exhibition, teacher Wu Zhengzhang mentioned that although he lives in central China, The theme of this shooting is also in Taichung. Looking back, there are really very few opportunities to exhibit in Taichung! The works on display this time include videos, ChromaLuxe Metal Prints, and giclée outputs. Through the teacher’s rice fields and tin factories, the pastoral scenery with deliberately limited viewing frames, the quiet exhibition room, and the beautiful visual feast are Many musings and echoes.

Exhibition introduction🖼

Text: Wu Zhengzhang (artist)
The Taiwan "Beauty" series uses a unique way of lighting to create faceless selfies to present the contradictions and absurd situations accumulated in Taiwan's social environment due to the evolution of politics, economy and culture, and the habit of "turning a blind eye". These scenes with "Taiwanese characteristics" in the video provide the viewer with a series of inner thoughts and struggles between "beautiful" and "unbeautiful".

Taiwan started out as a farmer, but due to globalization and social changes, industry and technology have replaced agriculture in importance to Taiwan. The magnificent pastoral scene is disappearing. The demand for industry and technology has increased greatly, and farmland is being eroded by iron-clad factories. , there are no longer just simple crops in the countryside.

"Taiwan's "Beauty"—Pastoral Scenery" View the current farmland scene on the west coast of Taiwan through a limited viewing frame. Both agriculture and industry originate from the needs of residents. We are all demanders to varying degrees, and we are also participants in the "idyllic scenery" of Taiwan's west coast. The rice fields and iron factories in front of us present Taiwan's alternative characteristics and beauty in form, and at the same time, It troubles us about the balance between the two.

  • Video editing: Wu Bangyu Jixiang Vision
  • Photography assistance: Hong Ruihong, Wu Bangyu, Wu Gengda
  • Graphic visual design: Zheng Zhaorong from Paper Mist Visual Design Studio
  • Music: Shengxiang Band
  • Sponsor: National Culture and Arts Foundation

新提案:ChromaLuxe金屬照片

如果您看了以上的內容,有興趣探索新型態的照片媒材「金屬照片」,我們很樂意協助您!

我們簡列了數位印刷「藝術微噴」與瑋思影像「金屬照片」兩種作品印製媒材的「特性」比較表,歡迎你一起來認識ChromaLuxe金屬照片。

特性
藝術微噴
金屬照片
基材 相紙紙張
如EPSON, ILFORD等
ChromaLuxe 金屬鋁板
製程原理 數位輸出
墨水停留在紙張表層
數位輸出+熱壓轉印技術,製程繁複
完成後墨水融入表面特殊塗層
典藏等級 典藏等級
典藏等級
解析度 高解析度,影像銳利 中等解析度,自然呈現
保存條件 最佳:保持在21℃/相對溼度50%以下
(不適合台灣高溫潮濕環境)
不需要特定保存條件
(合適台灣環境,即使浴室及廚房也OK)
防水性 不防水、不耐潮
(紙張有毛細孔,水氣會滲入紙張)
防水、防潮濕
(表面塗層沒有毛細孔,水氣無法滲入)
抗褪色性 不耐褪色
(紙張有毛細孔,會接收空氣污染源)
可抗褪色

(表面塗層沒有毛細孔,杜絕空氣污染源)
抗刮傷性 不耐刮
(紙張不耐刮,尤其黑色墨水易磨損)
防刮傷
(表面塗層為硬質材質,平滑無毛細孔)
耐污染性 不防化學藥劑不耐污染
(紙張有毛細孔,會接收化學藥劑)
抗化學藥劑、耐污染
(表面塗層無毛細孔,化學藥劑無法滲入)
可清潔性 無法清潔擦拭 容易日常清潔
(可使用清水或潔用酒精輕拭表面清潔保養)

The author of this article, Weisi Image

Weisi Imaging was established in 2016 and specializes in ChromaLuxe metal photo production.

The person in charge of Weisi Imaging studied photography in Vancouver, Canada from 2011 to 2014. He was an artist-in-residence and also held photography solo exhibitions. Because I was amazed by the visual effects of ChromaLuxe metal prints, I decided to focus on the research and production of metal photos.

Weiss Imaging not only prints high-quality metal photos, but is also the first printing center in Taiwan to assist artists in producing metal photos. Many of the artist's works have been collected by Taiwan's Art Bank.

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